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Dreamscapes in Italian Cinema: The Fairleigh Dickinson University Press

Cooper Bell

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Published in Dreamscapes In Italian Cinema (The Fairleigh Dickinson University Press In Italian Studies)

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Dreamscapes have long been a source of fascination for artists and filmmakers. The ability to create and explore other worlds, to delve into the subconscious, and to express the inexpressible has made dreams a powerful tool for storytelling. In Italian cinema, dreamscapes have been used to create some of the most iconic and memorable works of art.

Dreamscapes in Italian Cinema (The Fairleigh Dickinson University Press in Italian Studies)

Dreamscapes in Italian Cinema (The Fairleigh Dickinson University Press Series in Italian Studies)

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Language	:	English
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Print length	:	220 pages

Dreamscapes in Italian Cinema explores the ways in which Italian filmmakers have used dreams and dreamscapes to create powerful and evocative works of art. This book offers a comprehensive overview of the history of dreams in Italian cinema, from the early silent era to the present day. It examines the work of major directors such as Federico Fellini, Michelangelo Antonioni, and Dario Argento, as well as lesser-known filmmakers who have made significant contributions to the genre.

Dreamscapes in Italian Cinema is divided into three parts. The first part provides a historical overview of the use of dreams in Italian cinema. The second part examines the work of individual directors, while the third part explores the theoretical and psychological aspects of dreams in film.

The first part of the book begins with a discussion of the early silent era, when dreams were often used as a way to create surreal and otherworldly effects. The chapter then moves on to the 1930s and 1940s, when dreams were used to explore the psychological and emotional lives of characters. The chapter concludes with a discussion of the postwar era, when dreams were used to reflect the social and political upheavals of the time.

The second part of the book examines the work of individual directors. The chapter on Federico Fellini explores the director's use of dreams to create a surreal and dreamlike world. The chapter on Michelangelo Antonioni examines the director's use of dreams to explore the alienation and isolation of modern life. The chapter on Dario Argento examines the director's use of dreams to create a sense of terror and suspense.

The third part of the book explores the theoretical and psychological aspects of dreams in film. The chapter on the psychology of dreams examines the different theories about the meaning and function of dreams. The chapter on the aesthetics of dreams examines the ways in which dreams can be used to create powerful and evocative works of art.

Dreamscapes in Italian Cinema is a must-read for anyone interested in Italian cinema, film theory, or the psychology of dreams. This book offers a comprehensive overview of the history of dreams in Italian cinema, and it provides a fascinating exploration of the ways in which dreams can be used to create powerful and evocative works of art.

Dreamscapes have been a source of inspiration for Italian filmmakers for over a century. From the early silent era to the present day, Italian filmmakers have used dreams to create some of the most iconic and memorable works of art. Dreamscapes in Italian Cinema is a must-read for anyone interested in Italian cinema, film theory, or the psychology of dreams. This book offers a comprehensive overview of the history of dreams in Italian cinema, and it provides a fascinating exploration of the ways in which dreams can be used to create powerful and evocative works of art.

Dreamscapes In Italian Cinema Book Cover Dreamscapes In Italian Cinema (The Fairleigh Dickinson University Press In Italian Studies)